On Choosing Joy over Isolation: Olive & Ink March 2026
This month's letter challenges the "isolate and grind" narrative. Inspired by Olympic skater Alyssa Liu, who became more successful when she chose holistic living over punitive discipline, we explore what happens when creatives leap toward joy instead of locking themselves away. Featuring art by Colina van Bemmel and poetry by Emma Aellen on hope as the deepest form of love, and home as the body we learn to accept.On Visibility, Luck & Showing Up: Olive & Ink February 2026
How do you catch luck? As creatives, we're taught to share our work, but we keep ourselves tucked away behind it. What differentiates the lucky ones is visibility—the person behind it all. Luck isn't something that simply happens to you. Life doesn't just happen for us. We must meet it halfway.On Reflection, Goals & Room for Fun: Olive & Ink January 2026
This time of year compresses everything. The past 12 months blur just as the next 12 start demanding plans and intentions. Before we look forward, it helps to look back. We overestimate what we can do in a day, but deeply underestimate what we can achieve in a year. Here's to reflection without judgment, goals without rigidity.On the Gap Between Vision and Skill: Olive & Ink December 2025
There's a moment early in our creative journey when the work in your head far outshines the work in your hands. You know what you want to make, but your technical ability hasn't caught up. That gap is actually a gift—a compass revealing what matters to you and where your taste lies.
On Art, Identity & Letting Work Lead: Olive & Ink November 2025
When you start identifying as an artist, it's easy to get trapped by that label. You believe everything you make has to mean something about who you are. But this framework can be dangerous. Being a creative means learning to move between the self and the external world—to care deeply about what you make, but not mistake it for your whole identity.On Creating Home for Your Practice: Olive & Ink October 2025
When I landed in Amsterdam two years ago, I had no home. My suitcase followed me from hostels to sublets, and my creative life suffered. I've since realized how much "home" propels my practice—sometimes it's a sketchbook, sometimes a physical place, sometimes just a cute little corner.On Honoring the Unfinished: Olive & Ink September 2025
The truth is, most creative work gets messier before it gets better. And that uncertainty is something we rarely show. Thanks for being a trailblazer and joining us as we try out this idea in real time.